Megan and Murray McMillan
are artists in Boston/Providence.

Portfolio
ArtNews
YouTube
Flickr
MySpace
About
Email


Creative Commons License
This work is licensed under a Creative Commons License.


All images by Megan or Murray McMillan unless otherwise noted.

When a Blog Post Take on a Life of its Own

Villeige
Jacques Villeglé, Rue de Tolbiac, c'est normal, c'est normand, 1962, Ripped posters mounted on canvas, at the Modern Art Museum of Fort Worth

Back in January 2005, before we wrote almost exclusively about art-related things, Murray wrote a blog post he jokingly titled "The Myth of Fast Metabolism" in which he complained about how his usually fast metabolism had failed him by allowing him to gain 5 pounds over the holidays.

It's a few dry-witted paragraphs that are about as far from sound dietetic advice as one could possibly get. He makes the entirely unscientific observation that "Unfortunately, fast metabolisms have a dark side: I gain weight just as fast as I lose it. " He also confesses that he's stopped exercising because he forgot to bring his exercise clothes on our trip.

This post, now well over three years old, is the number one reason people come visit our blog on Google searches. This post is currently listed third on a search for "fast metabolism," under other legitimate health-related sites. At times over the years, it's been first on the list.

Here's the thing about this post: it still gets comments. All. The. Time. What started with people vehemently correcting Murray's "analysis" of metabolism — "thats ridiculous, i have a super fast metabolism and do not gain weight." and "Debora, i completely agree with you sister. Don't ask that other dude [i.e., Murray] to add 1 + 1, he'll probably say the answer is 3." — has now become a place where people post their teary confessions about the struggles of living with high-speed body chemistry.

A normal person can go eating one meal a day. If I tried to do that I would be sick to my tummy crying in pain. If i [sic] go just a little to [sic] long with out eatting [sic] my body turns on my self and I swear starts to eat me.

i always had weight loss problem and in my case it is not good cause i am now a mum and sad to say im [sic] only 30 kg (66 lbs) and i cannot hold my child like the ordinary mums do...

my ribs and spine stick out, i have no chest, im [sic] too tall, square hips, all boney, no boyfriend... and people call me lucky.

Thank God I found this site. Now I dont [sic] feel so alone. People ask me if I'm bulimic and anorexic and I had to go through a family intervention!

Only one sly reader seems to get the irony:

Darn you Captain Matabo. You steer your ship of irony and wit into a sea of poor pathetic preachers drowning in their own myopic woe-is-me... Why must I lazily and rhetorically fall back into parallel structure. This is no soup opera. Why must I google you if you consume my life unless I just want to show you off. Oh it's a showdown between Captain Metabo and Calamity Vanity, I'd steak my life on it. I'm sure of it.

Bless you, Jon. You must have made good marks in reading critically.

Wanderlust

Wunderlust
our travels visualized on TravellersPoint.com

In seven weeks, we'll be in Turku, Finland, working on our next video project. Five weeks from now, we'll be Kökar, on the Åland archipelago, filming. Four weeks from now, we'll be exploring Hamburg with Murray's sister. In three weeks, it'll be Berlin.

Two weeks from now, I'll be in New Orleans on the 4th day of a cross-country road trip with a good friend and her three-year-old, en route from Providence to deliver the dog to my generous parents, who offered to keep him for the summer while Murray and I are in Europe.

In the span of the next seven weeks, I'm going to spend time in Boston; Providence; Baltimore; DC; Fredericksburg, VA; Asheville, NC; New Orleans; Houston; Dallas; London; Berlin; Bremen; Hamburg; Helsinki; Kökar; and Turku, Finland.

Forgive us if blogging is light for the next week or so as we finish up all the coordination needed to accomplish this journey. Once we're on our way, though, you can expect regular, daily updates.

Site Updated

Listnulco

Our new portfolio site features our new project, The Listening Array, full-length videos of all of our work and an improved interface.

Lecture Tonight: "Transgressive Architecture," Alex Schweder and Ward Shelley, Sert Gallery, Carpenter Center, Harvard

Wardshelley
"Transgressive Architecture"
Alex Schweder and Ward Shelley
Thursday, April 24, 6:30 pm

Sert Gallery, 3rd floor
Carpenter Center for the Visual Arts
24 Quincy St, Cambridge, MA
http://www.ves.fas.harvard.edu/BYO.html

Drinks and Dinner Provided

Continue reading "Lecture Tonight: "Transgressive Architecture," Alex Schweder and Ward Shelley, Sert Gallery, Carpenter Center, Harvard" »

Darren Foote and Ali Smith at RHYS Gallery

Smith
Ali Smith, Interplanetary Chart, 2007, Oil, acrylic on canvas, 64''x68''

Foote
Darren Foote, Flashlight #2, 2008, Poplar, 100''x7''x7''

Boston-based artist Darren Foote and LA-based Ali Smith's current exhibition at RHYS Gallery is full of playful spacial observations. Smith's vibrant explosions of oil and acrylic toy with dimensionality, while Foote's poplar sculptures defining the reach of artificial light sources make the intangible tangible.

RHYS gallery will be relocating to Los Angeles soon, so be sure to stop into the Harrison Ave location while it is still on this coast.

RHYS Gallery
Darren Foote + Ali Smith
April 03 - May 02, 2008
http://rhysgallery.com/

Laura McPhee and Toni Pepe at Bernard Toale Gallery

Pepe1
Toni Pepe, Untitled from the series Angle of Repose (Tablecloth with Dust), 2007, Archival Inkjet print [courtesy of the gallery]

Mcphee1
Laura McPhee, Beaver Ponds on Fisher Creek After Wild Fire, White Cloud Mountains, Idaho, 2007, C-print [courtesy of the gallery]

Bernard Toale Gallery's current exhibition pairs the work of two artists, Toni Pepe and Laura McPhee, with strikingly different approaches to photography.

McPhee's dramatic mountains and forests are hauntingly still landscapes captured with the precise eye of a photographer's photographer. Pepe's Angle of Repose series is an idea-based collection of staged photos of women in various household environments, creating a dark and moody narrative along the lines of Cindy Sherman's art historical pieces.

You'll want to bring a McPhee home with you, but you'll still be thinking about Pepe the next day.

Laura McPhee, Two Years Later
Toni Pepe, Angle of Repose
Bernard Toale Gallery
450 Harrison Ave, Boston 02118
April 2 through May 10

Julius Popp Presented by Dogenhaus Galerie at Volta

Popp1
Julius Popp, Bit.Flow MK2, 2005-2008

One strike against technology-based artwork is that it's notoriously difficult to get to work correctly, as was the case with Julius Popp's Bit.Flow MK2 at the Dogenhaus booth at Volta. Since we've been fans of Popp's previous work, we stopped to talk to the dealer and find out what exactly we weren't seeing in its fully functioning form.

Popp's work sits right at the intersection of programming and engineering. He writes programs to scroll the internet for key words that contribute data to his mechanical systems that use materials to illustrate those patterns through ephemeral messages displayed or transmitted via custom-built machines. Amid the tangle of clear tubes on the floor, in theory, a pattern emerges if you're standing in a certain position in relation to the tubes.

The conceptual beauty of Popp's work is undeniable — from releasing buoys into the ocean that transmit positioning data back to their owners, to droplets of water forming into words as they fall, to tubes that traffic messages from the ether. Yet art is ultimately a visual endeavor, and must present its case to the eyes in order to persuade the mind. If the viewer is left to imagine how something works with the guidance of a weighty statement, she might, in her imagination, greatly improve upon the concept.

Julius Popp is represented by Dogenhaus Galerie in Leipzig, Germany.

The Harvard Natural History Museum

Harvard1

Harvard2

Our friends J and D rank the Harvard Natural History Museum as one of their two favorite Boston destinations, along with the Isabella Stewart Gardner Museum. Dinosaur and whale bones. A hummingbird collection. The world's largest collection of Victorian glass flowers.

This Ivy League museum is the very definition of old school exhibition style: all the specimens are tightly grouped, even stacked, in front of bright monochrome backgrounds. Without any environmental context whatsoever, the viewer is free to think about the animals however they wish, which makes for a wonderfully poetic exploration. Contemporary museums go to extremes to recreate appropriate environments for their stuffed specimens and often avoid the relationships that are so interesting. It's surprisingly refreshing to focus on just one thing, not the entire context.